#how to clear

[fagtainsparklez]

i’m gonna cry it’s raining right now and i just passed by a family where both parents were without an umbrella but their kid who couldn’t have been older than like 3-4 was proudly holding this GIANT umbrella whose diameter was as tall (if not taller) as the kid. both the parents were getting absolutely drenched but u could tell the kid was just so happy to have an “adult” task and carry the umbrella themselves and i think that sacrifice is what love is all about

[mumbono5]

Have you ever wondered "Hey, which person is this Hermitcraft fanart actually depicting?" and didn't want to just scroll down to read the tags?

Behold. My magnum opus. The Hermitcraft fanart flowchart! Please click for legibillity.

[valtsv]

12th century architect: this cathedral is looking so good. it could still use a little something, though. maybe a scary creature or two?

the grotesque gargoyle:

[sadclowncentral]

my (very white, very middle european, very protestant christian, very sixty-year old) father just dropped an inshallah in casual conversation. without precedent or without any acknowledgement. "inshallah they will send us a new internet router" he said. didn't even stutter. what did he mean by this.

[nataliescatorccio]

"This place will follow us for the rest of our fucking lives."

[energ00n]

Tell a joke, crack a smile!!

[self-loving-vampire]

Extremely dangerous how "grooming" in the context of child sexual abuse went from being a very specific pattern of isolation and trust-building with the aim of abusing someone to "telling children anything that contradicts their parents' ultra-conservative worldview is grooming" to "selling rainbow flags in a store is grooming" to "literally anyone I don't like is a groomer".

These days the word seems to most often be used by people who don't care about what it actually means and just want an easy "this person is irredeemably evil, kill them now" button.

[dead-inside-demiboy]

Im sorry but being aromantic and/or asexual is such a beautiful, complex identity that opens up almost endless possibilities and interpretations about sex and romance and relationships and struggles within those,

and i will always absolutely LOATHE how both the outside and the aro/ace community itself have boiled these identities down to just "doesnt have sex" and "doesnt date"

[velvetwyrme]

aHhh okay so the discussions of Titan!Megatron on @callsign-relic's blog have fully. FULLY taken over my brain and ive been drawing stuff for it for like the last few days nonstop

the tl;dr of this is AU is pretty much "what if Megatron got turned into a titan/cityformer as a form of penance/imprisonment and now roams the empty wasteland of Cybertron forever" plus "IDW Megatron has really fucked up internals so... what if that, but as a City?"

and of course since he's a Titan, that also means he has a cityspeaker... or three. One per sub-AU thing. Theres 3 options. 3 flavours of AU.

i have so much art to make. but in the meantime, for more info! check out the #titan au tag on Relic's blog :]!! (also uhh potential ns//fw warning for the link shfjbdkd)

Hi. My battery is running out once again so design and art notes get chucked here instead of an image.

The cuffs and collar are hardwired into Megatron, so I made the lights the same colour as his biolights!

I imagine that on the tops of his shoulders there are solar panels, even if you can't see them here lol.

I really wanted to keep the swirly bits on Megatron's chest from IDW

Other art notes:

The second picture with the seekers is (loosely) inspired by a discussion about whether or not Megatron gets visitors or not. I thought about who would visit him and well... I think this is as close as Starscream realistically gets to visiting him.

Extra detail about that piece is that Thundercracker and Skywarp are keeping watch from above! Also drawing Megatron took me like 8 hours because I was struggling with his legs really badly kshffkbfkdsbdk,, the background went much faster, funnily enough.

Optimus specifically isn't wearing his Autobot badge any more.

This isn't relevant in this series of images, but Ultra Magnus's eye markings are only on the Magnus armour. His other two forms do not have them :] (... until he begins to discard the armour, that is.)

Megatron is roughly 3200m/2 miles tall. Technically he could have clouds around his knees, but I thought this looked a little bit cooler lol.

Also, height chart! Him big. I didn't even attempt to put a human for scale because that'd be. near impossible with this scale.

[arminsumi]

i'm sorry i'm just going insane thinking about bully gojo who is actually SPIRALLING in love with the reader...

the hot eye contact, how he can't hardly rip his gaze off you even though he's declared that he "can't stand the sight of you" just mere minutes ago...

... how he scribbles your name down in his diary so angrily, writing SCATHING and NASTY shit about you until he eventually ends with "... but somehow i still feel like i can't survive my days without getting a quick fix from her eyes. she's torturing me."

oh and he bitches to his best friend about you — you! what you've done to him! and all suguru does is snicker when he listens to satoru's dialogues, and his stupid reply is always "sounds bad. maybe kiss and make up?"

oh, satoru goes red. he's livid. just can't take it anymore. goes to confront you about all your offences, but quickly crumbles when he sees how pretty you look today and — he can only chew his lip and glare at you like you're just the worst...

so much effort put into hating on you... and still he wants to grab you and pull you in for a violent kiss — something that would taste a little like raw, bleeding feelings that have been suffocated and ignored for far too long

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[hawkaye]

"There are legends of people born with the gift of making music so true it can pierce the veil between life and death. Conjuring spirits from the past and the future. In ancient Ireland, they were called Filí. In Choctaw land, they call them Firekeepers. And in West Africa, they're called Griots. This gift can bring healing to their communities, but it also attracts evil."

[evgar]

kiss of death

graphite and watercolors on paper

[pastelaeqy]

yet darker

[demi-pixellated]

Wielder of Courage

[youregonnabeokay-kid]

i think a lot of people (especially those who haven’t read the books) are underestimating Hades

yes, he presents as the sassy queer uncle who’s done with his family’s drama, but he’s not “just some guy”

when his Helm is stolen, no one knows about it. he uses his own resources and orchestrates a plan to bring Percy to the underworld alive, all while managing an entire freaking kingdom

he doesn’t threaten war because he doesn’t have to and he knows it. unlike Zeus, he keeps a level head and thinks about the situation logically

think about Percy’s priorities throughout the show, look at what the flashbacks are teaching us about him and his relationship with others. think logically. this is a 12 year old kid who grew up with a single mom and no friends

his priority is his mom, it’s always been his mom and Hades knows that. Percy’s worst fear is losing his mother and Hades uses that against him

he takes Sally before Poseidon claims Percy because he has eyes everywhere. he already knew who Percy was and he already had a plan formed before Percy even set foot in camp

when he greets Percy and Grover he isn’t surprised, relieved, or agitated because he planned this. he knew that Percy would come to him whether by force or by his own choice (for my book readers, think about this in comparison to how Zeus reacts to the situation. Zeus comes off as desperate and angry, whereas Hades is at ease. annoyed, sure, but never panicked)

when he offers them pomegranate juice it’s in the guise of politeness and humour but it has an underlying meaning. Percy knows the stories about Hades and Hades knows that he knows. the pomegranate juice is a reminder, it’s Hades demonstrating his power without outright threatening Percy. it’s him going “I can make something as small as a pomegranate seed into a weapon” it’s him asserting his dominance and control over the situation

he leads them to a seating area clearly made for their arrival. another reminder that he knew they were coming and Sally stands, frozen in the middle of it as a reminder of what they have to lose

when he learns that it’s Kronos behind the robberies he immediately offers sanctuary to Percy, Grover, and his mom. Kronos, the king of titans, the father of all Gods, and a being who could once tear the world in two with the snap of his fingers, wants Percy, and Hades offers to protect him because he’s that powerful

so yes, Hades makes dad jokes and he talks in a way you wouldn’t expect an all-powerful being to talk, but he isn’t “just some guy”

he’s powerful, he knows it, and he shows just enough of that power to absolutely terrify Percy